Pages

Tuesday, August 23, 2011

A Night To Remember


As much as I would like to stay diplomatic and retain some sense of decorum as I recap the events of yesterday’s musical concert by Vani Jeyaram, Chinmayi, Vijay Yesudas and Haricharan, I have to be honest with myself and you, the reader. We are dealing with people that I have danced, sang, laughed and even cried along with through song. So if I go back into crazy fangirl mode, please bear with me.

Tickets booked way in advance, the excitement had already boiled to scary levels before the event. However, I actually started the night on a bad note. It didn’t last long but was surely there. We [my mother, her friend and I] arrived at the event thinking that we were early, although puzzled there was no parking. Turns out the show wasn’t supposed to start at 6:30pm as we thought. It was 5:30pm. My heart sank. I feared I missed out on those crucial songs I wanted to hear. Worse, we lost our seats even though they were booked! But I have to thank my stars that they were running a little late so we didn’t.

 So there we were, late and pissed off when I set foot in the auditorium to see Chinmayi on stage. She had already started the event with a respectful tribute to those that have left us and that were taken from us in Sri Lanka so the auditorium was quiet and solemn. After the silent tribute, she began with the song that I have a tradition of crying with. Oru Dheivam Thantha Poove played on cd is more than I can bear as it is, but to hear Chinmayi render it live was too much for me. As my mother sat mystified at my state, I cried to each line [no joke!]. The word beautiful is simply not enough for me to describe how it was.

Next on the dias, or rather from in the midst of the crowd, was one of my favourite star kid singers. Vijay Yesudas actually makes me forget his father when he sings his own songs which a tough achievement actually since I grew up on a lot of K.J. Yesudas’ songs. Also, I have already seen him perform a few years ago with his dad so I was somewhat aware of his interactive way of singing. But he had a few more tricks in store this time, with more dancing and walking through the aisles. To say that I was within grasp of a handshake is no lie as he walked straight passed me, stood in front of me and even looked at me [Eeek!!]. Dhavani Potta Deepavali never sounded as awesome as it did last night and Vijay had the full attention of a singing and clapping audience.

The next intro went to Haricharan, who was making his debut to Sydney-town. He didn’t really dawdle with thank yous and how are yous in his entry and got stuck right into Thuli Thuli Mazhaiya Ponaale. As smooth as his singing was, he did make a point to not be completely precise; adding a few extra bits here and there, which was welcomed. At the same time, I don’t think he expected there to be such large fan base for Yuvan when he began as the audience went beserk [myself included!!] when he was finished. But the singer took that as an energy booster and sang his next songs with more gusto.

From here was a clever intro of Vijay singing his father’s Kalaivaniye from Sindhu Bhairavi to introduce Vani Jeyaram conceived by Chinmayi. This is one of my favourite songs and as much as I was involved in the standing ovation Vanimma was greeted with [I hooted more than anyone else!], I secretly wished Vijay would finish the song. But nevertheless, Vanimma’s graceful yet peppy Maligai En Mannan Mayangum was as amazing as the first time I heard her sing it in the film. But more than that enchanting voice, I was taken aback by how humbled and fun she was on stage.

Intros done with grandeur, it was time to get stuck into a lot of jamming, rocking, singing, dancing [or in my case, seat-bopping] and general shenanigans of a concert. As much as my mother wanted to restrain my movement, some songs were not going to have me sitting crossed armed and still. Haricharan made his songs part singing, part dancing to live things up. Vijay went a step further and grabbed a girl from the audience for a special listen of Un Parvai Mele Pattaal on stage, next to him! To say I was jealous of this girl would be an understatement but this was the one occasion through the night that I had to listen to my darling mother. But by far, Chinmayi’s solo songs were the most entertaining. Not only because songs like Maiyya Maiyya gets anyone to move but because of her gorgeous co-singer, Amaiya. For the uninitiated, Amaiya is Vijay’s 2 year old daughter and she was gorgeous in her little princess baby pink dress. Watching her imitate Chinmayi and behave like she was singing as well was a sight for sore eyes.

The best part of this event, beyond the amazing singing, was the performer's interaction. Each time Chinmayi came on stage singing a duet with one of the boys, a little fun banter would make the proceeding a little less formal. The boys definitely had their fun with Jalsa Pannungada and Haricharan’s bicycle act was a little bit of cinema on stage. I especially loved the camaraderie between the young singers with the jokes at each other’s expense although as Vanimma said, she was the youngest out of them all at heart and had the audience laughing just as much with her incredible sense of humour.

Oru Malaiyoram, Mama Mama, Yaar Intha Penthaan, Aariro, Rasathi Pola, Lesa Parakkuthu, Oyyaaiye, Gangai Yamunai, Illamai Oonjaladuthu, Bharathi Kannamma, Vaarayo Vaarayo and Kilimanjaro are some of the songs they sang and to be honest, I just couldn’t get enough of it. i secretly begged to god they would sing more songs and maybe even a few of my favourites. An added bonus had to be my wish list duet of Chinmayi and Vijay rendering Sahana Saaral, a combination I wish was in the film. But they didn’t stop there with songs like Alliyambal, Gori Tera Gaon, Tere Bina, Yammadi Aathadi and lots more were included, if only a few lines.

With the night coming to an end, I must say my personal achievement was being one of the only star-struck fans with a relative composed nature, a camera and an autograph book too, ready and waiting. I was determined to get something since I couldn’t get as many photos during the program as I wanted [The organisers got security to ask me not to take photos]. However, if you thought I was crazy, I must tell you about a dear friend of mine. For someone that is normally quite composed, he became more of a fanboy than me when our request to one of the organisers to get someone, ANYONE to see us was heeded to and out walked Chinmayi. I could have sworn his cheeks when red when he saw her. Yet, even amongst the chaos of fans photos and screams, not only did I succeed in getting an autograph but a photo as well with Chinmayi whom I must thank once again for recognising me from twitter.

By the time I got home, all I could think of was how they ensured the best was only to come for me and the audience at the beginning. Boy did they deliver and then some! Whether it was their own songs, solos or duets, each singer was welcomed with an applause. It was truly a memorable night.

Wednesday, July 27, 2011

Sthothra Special

I've always been told that there are some mantras I should say to ward of bad omens and help settle good ones. As a good kid i would memorise what I could and the rest were book reference. But sometimes I would this how do I know if I'm saying it right? How do I know that I'm saying what needs to be said? What if i'm invertantly attracting bad omens instead of good ones?!?!? Ok, that was a little overboard but you get the drift. Now I have yet to find all the others that I have been parotting away but this is one that I found and tried to implement. I even went to the level of making my own tune for it. But since I dont own a soundcloud account and suck at singing, we'll stick to the meaning, shall we? :D

Sri runa vimochana nrusimha sthothram
(The prayer to Lord Narasimha to get rid of debts.)

Translated by: P.R.Ramachander
(N.B. the debt could be explained also as the debt of Karma, which we have to get rid off to attain salvation.)

Deva karya sidhyartham , sabha sthambha samudbhavam,
Sri nrusimham mahaveeram namami runa mukthaye. 1

For the purpose of completion of the need of the devas,
You appeared from a pillar in a palace,
Oh Narasimha who is a great warrior,
I salute you to get rid of my debts.

Lakshmyalingitha vamangam, bhakthanaam vara dayakam,
Sri nrusimham mahaveeram namami runa mukthaye. 2

Goddess Lakshmi embraces your left side,
And you give boons to your devotees,
Oh Narasimha who is a great warrior,
I salute you to get rid of my debts.

Aantramaladaram , sankha charabjayudha darinam,
Sri nrusimham mahaveeram namami runa mukthaye. 3

God who wears the inner part of your enemy as garland,
God who holds conch wheel, lotus and other weapons,
Oh Narasimha who is a great warrior,
I salute you to get rid of my debts

Smaranath sarva papagnam, khadruja visha nasanam,
Sri nrusimham mahaveeram namami runa mukthaye. 4

God whose very thought kills all sins,
God who destroys poison of all snakes,
Oh Narasimha who is a great warrior,
I salute you to get rid of my debts.

Simhanadenaahath, digdanthi bhayanasanam,
Sri nrusimham mahaveeram namami runa mukthaye. 5

God of a terrible lion like roar,
Who removes fear of elephants, which guard all directions,
Oh Narasimha who is a great warrior,
I salute you to get rid of my debts.

Prahlada varadam, srresam, daithyeswara vidharinam,
Sri nrusimham mahaveeram namami runa mukthaye. 6

God who was kind to Prahlada,
The lord of Lakshmi and he who ripped apart the king of demons,
Oh Narasimha who is a great warrior,
I salute you to get rid of my debts

Krooragrahai peedithanam bhakthanam abhaya pradham,
Sri nrusimham mahaveeram namami runa mukthaye. 7

God who gives freedom from fear to devotes,
Who are being troubled by cruel planets,
Oh Narasimha who is a great warrior,
I salute you to get rid of my debts.

Veda vedantha yagnesam , brahma rudradhi vandhitham,
Sri nrusimham mahaveeram namami runa mukthaye. 8

God who is the lord of Vedas, Vedanta and sacrifices,
Who is worshipped by Brahma, Rudra and others,
Oh Narasimha who is a great warrior,
I salute you to get rid of my debts

Ya idam padathe nithyam , runa mochana samgnakam,
Anruni jayathe sathyo , danam seegramavapnuyath. 9

He who reads daily this prayer for getting rid of debts,
Would surely become debtless and would soon earn lot of money.

No matter how big of a hot shot you, it doesn't hurt to have an extra hand.

Kanchana Mini View

So Raagava Lawrence decided to cash in on the sequel season and made Kanchana which is a part 2/episode 2 of Muni. Barring himself in the lead role and Kovai Sarala as his mother, the cast includes a new set of faces including Laxmi Roy, Srimaan, Devadarshini and Sarathkumar. Now its ok to want to do a sequel but what I want to ask is why choose Muni? It wasn't the most successful film he did nor was there much room for a sequel. But its the movie business so what else can I say but here it is. WARNING: Spoiler Alert!!

Taking off from Muni, Raagava is a scardey cat [this time] needs his mother by his side to even go to the bathroom. Unknowingly, he sticks a stump post in a plot of land that is haunted by ghosts and lets it out. From here on weird things start happening in his house at night and his mother and sister-in-law with help of the local swamiyar and his tests(!!!), confirm the ghost is in the house. Soon after Raagava starts acting weird by trying on saris and showering with sandalwood powder [manjal] like a woman. When his family ask why, theyare confronted by the ghosts that inhibits him one of which is Kanchana. Who is Kanchana and the other ghosts and what's their story is the crux.

Forgetting the story and all its scariness, Raagava has acted pretty well. Understandably he has a foundation for the disabled but it does get preachy initially. Otherwise, good show from the milti-talented. Laxmi Roy really needs a a few lessons on movie choice. She's hardly there and is land when she is. Kovai Sarala and Devadharshini bring out the funnies in a loud way. Srimaan is restrained initially but does a better job. Sarathkumar is different but could have been better. The rest are just average.

Techinals done get very far on this one with cinematography just about ok and editing too. Thaman.S is unidentifiable to such a degree that I thought Srikanth Deva had done the work and fallen out with the producers so they took his name off. One piece of advice to Raagava Lawrence. Muni was ok and Kanchana survived but please let vengeful ghost lie.

Saturday, June 4, 2011

Back to Front

Sometimes are a full song is not needed to enjoy a tune. And sometimes, the background music/theme sounds better than the song itself. I know that there have been many an occasion where the background tune from one film becomes a full song in another. So whilst compiling some clippings for another dance post, I thought I'd compile a list of background tunes that I could find.



A classic tune by Ilaiyaraja takes a new turn with his son Yuvan Shankar Raja for Sarvam.



Oy! movie may have had a sad ending but the music was just amazing. Yuvan's magic touch once again.



Now this one is long but its got all the BGMs for VTV/YMC in one hit. ARR is my god!



As cute as the visual, DSP has a beautiful combo of beat and melody in this one from Bommarillu.



MMK really brings out the haunting love story in this tune from Magadheera. Send chills down my spine everytime.



But apart from melodies and mushy stuff, we have an intro which I have yet to get over. MMK working it for our own Puli in Yamadonga.



Coming back to DSP, I love the piano in the title BGM for Aarya 2. Even though the track is just as awesome.



Ahem, this is the tune from Swades by ARR but we all know that Dekho Na was originally from Baba. But its ARR so we excuse.

There seems to be a dominance of melody with the tunes but like I normally say, these are only a few. I know that most intro scenes have a tune in them but its now a little on the ordinary side with most. I know that there is a piece in One 2 Ka Four that was later used by ARR in Star and became Nenthukitten which introduced one of my now fav singer, Karthik. Unfortunately, I haven't had any luck finding it. If you, dear reader, do find it please let me know.

Wednesday, April 27, 2011

Ga Ga about Yodha

For all the hungama I've made about Anaganaga O Dheerudu, I'm sure some people think I'm a crazy fan of Siddharth's. But contrary to popular belief, I am sooo not. Well maybe a little ;). But seriously, I don’t know his life history, I don’t know his address, I don’t know his parents' names. Kukka undo kooda theliyudu boss!! However, that doesn't mean he doesn't get the epic fan girl smile. Yes it exists and anyone that is with me when I'm watching movies knows that I have this ridiculous smile that frustrates me no end that comes up when seeing actors I like work their magic.

So here's me writing a little (!!!) piece about the Sidmeister... Nachithe comment cheyava?
Let’s start with me, at the tender age of...well, maybe not tender but I was 19. Very much a yuppie, sitting next to my mum waiting for A.R.Rahman's music to blast on screen since I didn't know a single person from Boys. Shankar is cool but I was there for ARR! So there I sat and when that twin tower line came up, all I could think of was... "This guy should be on a Colgate ad!"... After Maddy, Sid was the only 2000 watt smile I thought apt for the ad. And that’s a compliment really! But even with a crucial character and the only one that gets a girlfriend/wife, Boy did that film make me cringe! The thought may have been noble but damn, it’s called tact, Mr Shankar. You of all people should know that.
Then came Aiyutha Ezhuthu. Here too Sid was pretty good but kind of felt he was overshadowed by Surya and Madhavan. It was about this time mum dropped the bomb on his age (not much, just 25 when I thought he was like 19!!) but it was at that point too, I understood the phrase "Age is nothing but a number”:D Arjun and Meera had my favourite songs to their story and I kept thinking if Sid and Trisha would get together in real life but that’s my fantasy brain coming into the fore.
However there is one thing I must mention. I thought he was cute compared to the others around in TFI but that was about it, even if he was pretty good at acting too. My logic was eye candy was basic necessity seriously lacking at that time for me so it didn't matter much. But yes the first movie I loved to smittens was Nuvvasthanante Nenuvoddantana. Although not because of him... I actually took time to fall in love with the antics of Santhoooosshhh! I did find him adorable but call me crazy; all I could see when he was on screen was Prabhu Deva. Trademarks are hard to disguise or disregard, Siddhu darling. And you hadn't gotten one yet. Or maybe it was that toothy smile on the cover of NVNV DVDs? Meh. Either way, LOVE LOVE LOVE and also eternally grateful to Dil Raju for booking Siddhu to do the film since out of all those films that got me into Telugu, this film played a big part.
Next we have Rang De Basanti. My friend Neha and I have this tradition where we make a day of going to the movies to watch a Hindi film at Fox Studios. We were so crazy we would imagine what it would be like to study at AFTRS [a film school in Sydney] and dream of directing one day. But on one such dream fest, she told me about RDB and showed the poster which had a kind of raavananish design too. Aamir Khan was in it and ARR was music... Meh. Big difference I know but Aamir was ok and ARR had reign on the music, not the film. And then, the other shoe dropped and I realised who was on the right side of Aamir. I squealed so loud, the waiter walked out asking if I was ok. Siddhu Mania began again!

So finally, I acknowledged the awesome actor side of Sid and was re-watching his films like crazy when... BOOM! Bommarillu hit me like a ton of bricks. Ok, I'll admit Chukkalo Chandrudu was a nice film, there were some things that didn't sit right with me and no offence to Sada fans, her casting and role was one of them. I did however; feel Siddhu was repeating himself a bit. But with Bommarillu, any apprehension just fell apart. Have to hand it him though for standing up to powerhouse performer Prakashraj. Seriously, I don’t think anyone could have pulled off the father-son combo better than them. Jayam Ravi tried, but this one is Sid's all the way. And with every viewing, and there were many, the love would grow. I thank god for my cousin's friend who lent me a copy of the film and her patience while I hogged it even after Aata released. Considering there was a drought in Sid-filmville after Aata and all I had was Blood Brothers, I thought I was doing ok.
Now, Koncham Ishtam Koncham Kashtam isn't amazingly different. But when you have Tamannaah, Shankar-Ehsaan-Loy, Prakashraj and Ramya Krishnan involved, dilkhush chesinav, bhaiyya. Not to mention Brahmam darling with his Gachibowli Diwakar act. Hysterics on call for that one. I do have my concerns with the Korean Pop star hairstyle though but this is Sid, so I guess I should trust him. (P.S. This film was pre-glam doll/stylist change era of Tamannaah so she just looks cute and of course, with Sid's antics giving the extra boost of cuteness). I'm going to skip past the forgettable Baava but the village bum/naattu kattai look gets 2 thumbs up from me.
Then Oy! and Striker happened. My life wasn't the same and I'm pretty this is when the fan girl entered into my life. I ranted and raved like  ... well, a raved lunatic. Yuvan. My Yuvan... Saviour of so many films and all-round legend, collaborated with singer Siddharth. For both films! It was like apple pie and choc-chip ice cream with caramel hot sauce for diabetes patient. Sooooo good, it kills. I mean, I've heard him before and I know his singing voice can be heaps fun but Yuvan has always got a different swing to the dime-a-dozen out there. The brain side of me worked while watching both films for the 3rd time and I applauded both films for their attempt. While Oy! was kind of the Sid formula I'd seen before, it changed towards the end. Striker was something I was not prepared for though. I hate seeing my on-screen heroes cry because I will become a crying ball of mess with them. No doubt. So naturally, I require at least a dozen boxes of Kleenex. Through in the critical thinking side of me that sees the energy and performance given, and I may as well be the brand ambassador. Yet, after all of that, I wouldn’t say I turned a blind eye if he did something below average since Baava clearly coudnt be saved.
So what have I gained from plastering all of this on my wall? Well, basic point blank I enjoy his films. He’s the only Siddharth that comes to mind after my dad (work mates call him Sid instead of Sinnappu, that's another post). Anthakanna ekkuga cheppelem, bossu.

Tuesday, April 26, 2011

Ringa Ringa Vs Dhinka Chika

If there is one that Allu Arjun can be depended on for his films, its good music. Add in Devi Sri Prasad[DSP affectionately] and you have a duo with brains and talent. Aarya came, we sang Feel My Love. Aarya 2 came, we danced to My Love Is Gone. But whether it was Aa Ante Amalapuram or Ringa Ringa, both had Allu Arjun and DSP and both rocked like anything. So naturally when Ringa Ringa rocks the charts and becomes an anthem, somebody will want the song for another language. I thought it would be Vijay since he's the biggest remake/reuse king around. But the one and only Salman Khan decided he was going to take it to Hindi instead. So here are the two songs folks.

Cant wait to see Salman in this version. Total Bindaasy


As much as I love Salman Khan and love that he took DSP to Hindi instead of ripping the song off, my vote goes to the original. Mana Andhra ishtyle verule :) Ensoi!!




Monday, April 11, 2011

Sadi Gali Something Something?

Dont know about y'all, but when it comes to Punjabi, I can try all I like to use the Hindi I know to figure out the meaning of phrases but sometimes, its just way off. Sad since its seems like such a fun language to speak :P Either way, there is no denying I love the base for a good Panjabi track. Latest addiction is Sadi Galli from Tanu Weds Manu and now that I been caught singing the wrong words, I went looking for the lyics with the translation and this is what I've got. Let me know if there is any mistakes. :)

"Kudiyan De Vich Phire Hassdi Khed Di 
(She Roams Among Girls Smiling and Enjoying Herself)
Ho Gutt Di Parandi Teri Naag Wangu Meldi
(You’re Braid Moves like Snake)
Aashiqan Nu Darsh Dikhaya Karo
(Do Pay a Visit to Your Lovers)

Kadi Sadi Gali Bhull Ke Vi Aya Karo Ji
(Do Pass Through My Street Someday, Even If It Is By Mistake)

Goriya Gallan Ch Tere Toye Bade Fabde
(Those Dimples Look To Nice On Your Fair Cheeks)
Mitran Payareya Nu Sohne Bade Lagde
(I Find Then So Pretty)
Thoda Sade Uttey Taras Vi Khaya Karo Ji
( Have Some Mercy On Me Too)

Kadi Sadi Gali Bhull Ke Vi Aya Karo Ji

Jidaro Vi Lange Mundey Maardey Seetiyan
(From Wherever She Passes Boys Whistle)
Karde Ishaare Koi Maarda Geetiyan
(Make Signs And Some Throw Pebbles (At Her))
Sajna Nu Aina Na Sataya Karo
(Don't Torment Your Lovers This Much)

Kadi Sadi Gali Bhull Ke Vi Aya Karo Ji

Rab Ne Husn Ditta Maan Nai Karida
(God Has Given You Beauty Don't Be Proud (Vain))
Aakkadan Di Ag Vich Ainwe Ni Sadida
(It's Not Right To Burn In The Fire Of Vanity Like That)
Kadi Pyar Wala Meeh Warsaya Karo
(Sometime U Should Rain Love (Shower Her Love On Him))

Kadi Sadi Gali Bhull Ke Vi Aya Karo Ji

Lehmber Ne Ban Jana Tera Manmeet Nee
(Lehember Is Gonna Become Your Beloved)
Sachi Suchi Ohde Naal Pala Tu Preet Ni
(Promise True Clean Love To Him)
Saareyan Nu Mangar Na Laya Karo Ji
(Stop Making False Promises With All Others)

Kadi Sadi Gali Bhull Ke Vi Aya Karo Ji"

Now what with this post be without the clip but the only problem is its not the full song. But it has a cute as smiling Maddy so I'm happy with it .. I know I'm a sucker for cute guy grins :D

Friday, February 25, 2011

Bhimavaram vs Bheemavaram

I dont know about you but remakes are like walking on a double edged sword for me. Some will have an amazing cast combo that gets you excited but disappoint with bad screenplay (or worse scene by scene copies). Then there are others that should never have been redone! But thats only the negative side. However, remaking a song can be more tragic than an entire film. Again the fight is between the fans of the old wine against fans of the current fad. To me, some songs can work if they have the right voices and competent hands on the decks. But there have been quite a few doozies.

For examples, D.Imman redid the famous track of MGR's Atho Antha Paravai Pola Vaazha Vendum when he composed the songs for Madarasi. This same track was done by GV Prakash in Aiyirathil Oruvan. Personally, I prefer GVP's version but this song sounds the best in its original form. At the same time, A.R.Rahman [my messiah] did a cover for the ever sweet track Thottaal Poo Malarum with Hariharan and Harini. This version had more appeal to me without taking away from the original's capacity to make you sway.

So which is better? Is this a good trend? I dont know. But some tracks make me wish they left the original as it was. Take a look at the latest in remade songs I stumbled on.



Now this may not have been the full track but its going to take a lot of convincing and some majorly appealing choreography to say it is better than the original Bheemavaram Bulloda.

Tuesday, February 22, 2011

Ssshruti Sssensation..

I know I know its been so long but I am still not over this song. Seriously, of all the actresses that have tried their hand at singing, I think Shruti Haasan's collaboration with David Kushner is by far the most unique and rocking song EVER!! No one near the candy floss stuff that others have tried to do. Ok, fine the movie is "beyond words" but the song and the clip for "Beyond the snake" made me feel like it was worth the struggle.

So here you are. Take as squizz at the diva in action..



But its not just this one song that I love. She has an electrifying voice that is so unlike her father's but just as mesmerizing. I have heard some of her work on her Myspace. My personal favourites are Bury Me, Again and Tamil.

Although the clip is little off for my likings love her rendition of Aazma Luck Aazma..



Lets not forget her collaboration with Blaaze in Unnaipol Oruvan for the title track music video.



But I think one of the absolute favourites I have of Shruti singing is this impromptu style rendition of Waqt Ne Kiya. Totally awesome and beautifully sung.

Wednesday, February 16, 2011

Venky's loss, Vijay's gain

Nuvvu Naaku Nachav was one of the few Venky films that I took time to like. But when I figured out it was remade by Vijay, I actually loved it his version. I liked Vijay at the time so that may have been the reason. But it honesty, it was a well remade film. Scenes were the same but it had an authenticity to it that was appealing. So where Nuvvu Naaku Nachav took some time to grow on me, Vaseegara was instantaneous. Mostly, because I loved the comedy and dialogue of Vijay. So considering I am overdue for a post, I thought the rewatch I am having on old films including Vaseegara warranted a post. This is one of my fav scene and song from Vaseegara.



The only thing that I was annoyed by was the heroine selection for Vijay's film. Somehow Sneha seemed way too plastic for my likings. What's worse is her stylist attempts to dress her like Simran in my other favourite song. WTF?!?!

Saturday, January 29, 2011

Idi Chala Hot Guru!

So Ala Modalaindi is out and everyone is going gaga over it. Nandini has rocked the megaphone, Nani and Nithya are awesome on screen and have amazing chemistry. Total class racha! But when everyone has seen the sweet, cute, funny and charming Nani and becoming crazy fan types, original crazy fan nenu? Mass racha kosam waiting. Confused? After making me swoon, think, laugh, cry with his film, Gautham Vasudev Menon with his associates have gone into full blown production and of the 2 films releasing Veppam is one. The film has Karthik Kumar of Kanda Naal Mudhal fame, Bindu Madhavi in what I call her first full length main lead role in Tamil and..... NANI!!!! Expect cheyaledhu kadhu! But if Nani in Tamil is one shock, partner in crime evaro thelusa? Mana Nithya Menone!

So Boss nenu fix aipoyenu.. Veppam is going to scorch the screens. And with Anjana behind the megaphone.. kachithamga this is going to be an important film. Inkenti.. check it out. Sorry its tamil but difference enti? Nani unnaduga. Ensoi!


Tuesday, January 11, 2011

Anaganaga Oka Tune...

So with the movie launch going so well, the next step is naturally the music. Just like the creme of the crop has been used for the action, VFX and acting, the music includes work by M.M.Keeravani, Koti, Mickey J Meyer and Salim Sulaimann. Individually each has a trait and appeal that exceeds expectations. Together they are sure to rock.

With one of my upcoming favs, M.M.Keeravani starts with Chandrabose writing the lyrics. Simplicity in tuning and wording, the song is sure to have you tapping your feet with its classic style from the 1960's. Similarity to the Tamil song Paatu Paadava stop as soo as the male vocal Anuj Kurwara begins his charm. He has only a few songs under his belt but is pleasant on the ears with his unique voice. Joining him is Chaitra, a newbie to me but considering until I get used to some voices, I can confuse them, that may be entirely right. Either way, the duo is fresh and lyrics


While some are still "Ainvayi Ainvayi" around tune Band Baaja Baarat, Salim-Sulaiman make their debut in Telugu with Premalekha Rasene. A sweet number that speaks of love and how loved ones take all forms, Chandrabose pens the lyrics once again. Given that the point of view is from a girls perspective, Shreya Ghosal renders the timid, but enchanted by love song with typical elegance. Joining her is one of the duos Salim. I dont kow if it Chandrabose's lyrics or the tuning but there is no hint that the singer was completely new to the language. Some have said the song is styled like Haule Haule but I dont.


Karthik is one singer that infuses a soul to each of his songs and it is amazing how the singer can seem so different even though he has rendered hits like Nizamga Nenena from Kotha Bangar Lokam and Arre Re from Happy Days under Mickey J Meyer before. In another melody based track, Mickey is in his element as usual with Chandamamala. Perhaps the youngest(career-wise) out of the lot, he is no less talented and stand his ground around his peers.


With all the melodies floating around, we now come to a totally different track on the album. Koti has a discography that is quite enviable. He brings out a unique track for the villain in the film, Lakshmi Manchu. As a Geetha Madhuri takes the mike, it took me a while to realise it was her. She has changed her voice pitch before and rendered some interesting tracks but Pralaya takes the cake on robust.


The remaining tracks on the soundtrack include a remix of Premalekha Rasene, Yodha's theme and Tarumukosthundi which has SPB back for another inspirational and strong track by Koti. Unfortunately there are no links to this one so I'm not able to go into much detail but from what I have heard it has the Koti-SPB touch. I dont about you but these 30 promo's are not enough for me! Eagerly waiting for the CD I won to turn up.. :)